KS digital is the second brand of active speaker specialists Backes & Müller, and to enter new markets as the cheaper alternative to the B & M products. The name originates in the Studio products of the House: under KS digital been the studio monitors from B & M pioneer Johannes Siegler markets.
- Digital active loudspeakers KS 2030
- Data sheet
Do you know what is a second wine? A wine of noble and expensive mansions, which is sold not under the original label, but at a better price-performance ratio with a different label. Just this idea now realised the manufactory Backes & Müller. Not that the active speakers by KSD sonically stand back behind the expensive series, but on housing design and manufacturing you can save without sacrificing the sound. The top model with the simple name of 2030, which is exactly placed with 5500 euro pair price, where the smallest B & M-compact box only starts making the surcharge in the HiFi sector.
A look at the data sheet will be astonish experts: by 2030, which is equipped with a fully digital crossover and time corrective FIR filters, as she is a B & M only from the BM15. This means nothing less than that the box can be fed with digital signals on the one hand, BM50 (AUDIOphile 1/2011) on the other hand also has the full-fledged, PC-controlled Equalizer features of the top model. It is possible, smaller acoustic problems away to adjust far more effectively than would be possible with traditional local filters. In the AUDIO test worked absolutely smoothly connect to the PC and the installation within one minute.
The chassis technology essentially draws on B & M know-how: two low-midrange driver of 17 class with baked and particularly rigid carbon fibre-membrane – parallel over and get it under the tweeter – the same signal via a separate power amplifier. The theorem of Joe d’ Appolito promises an evenly in this case, but asks deep separation. She reached with the digital switch at 1400 Hz, with a level-intensifying waveguide helps the silk dome Siegler. In the bass you committed on reflex no sensor correction, with digital time-advance control – so time accuracy can be produced.
Bass precision fixed one not missed anyway, in the listening room. The KSD could in Dr. Mablues “the cold wind says” the low bass to the point play as only closed boxes, and this enthusiasm and sense of timing, it was a bright joy. Top she was clearly as B & M related to recognize: nearly as detailed as the BM Prime14, she scored points with an extremely transparent and incredibly accurately depicted music performance.
Smetana’s “Ma Vlast” (Susskind, MFSL) she built a wide and holographic shining Panorama with natural tones, but something was the musicians close to the edge of the stage. When Miles Davis’ “Decoy” in the (1980s) that was typical of the times recorded Studio sound somewhat too much height resolution, but totally effortless dynamics and the compelling rhythm could also ignore that the KSD has Studio roots and wants to be a beautiful dye.
Measuring
With the digital FIR filter, amplitude and timing can be independently optimize. You can see that on the perfect response. Hearing terms relevant, however, is the full time correction of the bass reflex, which always leads to a group at run time distortion of the bass. So, tremendous depth (29 Hz) with high maximum level (107 dB) can be combined with precise bass.
KS digital 2030
Manufacturer | KS digital |
Price | €5500.00 |
Rating | 96.0 points |
Test procedure | 1.0 |
Technical data and test results
General data | |
Dimensions (W x H x D) | 26.0 x 114.0 x 32.0 cm |
Weight | 26.0 |
Surfaces | Paint |
Color | Black |
Technical characteristics | |
Bass principle | Two-way bass reflex |
Number of ways | 2 |
Working principle of full Active | |
Facilities | |
Connections | |
XLR connectors | |
Space adaptation | parametric EQ, shelving |
Surround complementary. | |
RCA | |
Laboratory characteristics | |
Maximum volume upper value | 107 dB |
lower cut-off frequency (-3dB) | 34 Hz |
Lower cut-off frequency (-6 dB) | 29 Hz |
Nominal impedance (audio) | |
Review | |
Detailed, incredibly transparent box with super timing and accurate grading. | |
Something analytically at bright CDs, not as deep space. | |
Bass quality | 100 |
Bass depth (bass Foundation) | 95 |
Attention to detail (precision) | 110 |
Dynamic | 100 |
Maximum level (vitality) | 80 |
Neutrality | 95 |
Imaging | 95 |
Spatial (airiness) | 80 |
Processing | well |
Sound judgment | outstanding 96 |
tested in issue: | 3 / 11 |
Gallery
Event 2030
Source: www.soundonsound.com
Professional Studio Monitoring: KS Digital ADM25 with …
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Event 2030 (Pair)
Source: www.musicmatter.co.uk
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Source: www.thomannmusic.com
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KSD 2030 von KS Digital: Klangeindruck
Source: www.fairaudio.de
ADM 22
Source: studio.ksdigital.de
Studio Monitor Loudspeakers: KS Digital C8 Studio Speakers
Source: www.ksaudio.com
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Studio Monitoring Dynamo: KS Digital C55 3-Way Studio Speakers
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Studio Speakers: KS Digital ADM30 DMC Dynamic Membrane Control
Source: ksaudio.com
Studio Speaker Monitors: KS Digital C88 3-Way Studio Speakers
Source: ksaudio.com
Studio Monitor Loudspeakers: KS Digital C8 Studio Speakers
Source: ksaudio.com
Studio Subwoofer: KS Digital ADM W Powered Subwoofer for ADM20
Source: ksaudio.com
Professional Studio Monitoring: KS Digital C5 Studio Speakers
Source: ksaudio.com
Studio Monitor Loudspeakers: KS Digital C8 Studio Speakers
Source: www.ksaudio.com
Studio Speaker Monitors: KS Digital C88 3-Way Studio Speakers
Source: www.ksaudiousa.com
Professional Studio Monitoring: KS Digital ADM25 with …
Source: www.ksaudio.com
Studio Speaker Monitors: KS Digital C88 3-Way Studio Speakers
Source: ksaudio.com
Kurzweil KS40A Active Powered Studio Monitor Speakers KS …
Source: www.djmarket.co.uk
Studio Subwoofer: KS Digital ADM B2 and B3 Powered Subwoofers
Source: www.ksaudio.com
Studio Speaker Monitors: KS Digital C88 3-Way Studio Speakers
Source: ksaudio.com